Chaiyya Chaiyya: A Tale of Two Theaters

Much to my delight, yesterday was filled with unexpected theatrical performances: Kannada Vrinda Houston, an Indian folk dance organization, and The Inside Man, a Spike Lee joint.
Just for the record, I LOVE all things. Thanks to my Morehouse friend, Ayan, my young adult years have been replete with Indian weddings, morning chai, photos of Shantiniketan, and propensity toward garba. However, a big blind spot in my Indian acculturation has been dance. Thanks to the wonderful largess of the Houston performing arts scene, I had the immense pleasure of whatching a sub-continent survey of folk dance last evening. As the sun kissed the horizon, bright dynamic colors raced across the stage gracefully before a very mixed crowd on the hill. Karthik was good enough to have his mother present who ever so often gave us a update on some of the language we didn't catch (all in my case, some in Karthik's). I of course surrendered to the shutter-bug and me and took FAR too many pictures.


Somewhere near the end of the performance the music travels from cacophonous and eerie to joyous and familiar. For whatever reason I was instantly reminded of mango-juice stained dorm-room floors, needless philosophical debate, and perpetually stale curry and almond smell. Apparently the song being played was "Chaiyya Chaiyya," a song from the Indian movie "Lagaan." I had watched this movie under the auspices of learning that absurd British game of cricket, and ended up learning how to dance around trees whilst chasing various young bold desi women.
I LOVE that film.
Related, as my head began weaving with the gorgeous music, Kevin leans in.
"Hey, you want to catch Inside Man."
This was largely unfair in that I both love the sub-continent and films directed by Spike Lee. With an uneasy quickness however, I respond, "Let's go. When's the next showing?"
Apparently we had exactly 13 minutes. Given that it was showing at the less-than-venerable Edwards Theater (versus the miraculously cheap and indy Angelika or River Oaks) we more than likely had an additional 15 for previews. We gave a hearty wave goodbye to Karthik's mom and briskly fled up, over, and down the hill to the parking lot. Much to our surprise and delight a young Irish-Catholic decided to enthusiastically join us. 10 minutes later we were looking for parking (and found some thanks to Irish).
"One student for Inside Man."
*add consternated look of mild disgust of increased student ticket price here*
*add consternated look of moderate disgust of increased student ticket price to Kevin's face here*
A quick run upstairs to the theater and we sit comfortably to hear the very first words of the movie. Kelly gave a congratulatory look of approval and Kevin, who is up again at this point, realizes that he does not have time to go to the potty without missing valuable plot.
A great movie. I always expect a something a little gritty and brow-raising from Spike Lee, but this film was smartly polished. More polished than any of his other films. While it did strongly assert some good ole fashioned themes of Lee (i.e. race, class, and 'the man') it didn't bludgeon the viewer. With a skillful and convincing cast it artfully delves the viewer in a not-so-ordinary bank-robbery. Its MUCH more than that for those who want. The kicker was the ending music sequence. "Jinke Sar Ho Ishq Ki Chaaon Chal CHAIYYA CHAIYYA CHAIYYA CHAIYYA..."
Hotness. Full circle.







